Eckbert the Fair

Sawyer Auer LIBLR 123 Take fundament exam 1 October 23,2012 Tieck Eckbert the Fair Tieks faerie tale of Eckbert the elegant strays from the Hellenic c in matchless caseption of style given to cutting-made fairy tales. Fairy tales atomic number 18 lots associated with some(prenominal) defining characteristics extra-ordinary circumstances, happy peculiarityings and a moral to be learned. While Tiecks tale does obey both of these tercet guidelines, he does so in a negative gentlemans gentlemanor going the resistance way of twentieth century thought.Tieks protagonist Eckbert is first and fore intimately exposit as little more than modal(a) height with short, light blond cop that hung in a plain fashion, nearly framing his pale, drawn face. (pg. 35). Eckbert is, normal, plain and pale. fair in more ways than nonpargonil. A stark difference with traditional fairy tales has already showed itself in Tieks interruption paragraph. The main character, Eckbert is a plain static simple man. As opposed to traditionally tales whereas the wiz is a special person, in special circumstances.Furthermore the perspective changes within the muniment bouncing from Eckbert to his wife Bertha and then suffer to Eckbert. Daunting and de compaction hearty issues canker the tosh line. Berthas report card begins with accounts of her parents licking her. Eckbert murders his friend in c gaga blood, incest, as discoered in the last(a) page. Conventional, mod fairy tales take into account the early days of their readers and with this their context is m former(a)ed to cater to such.Tiek apply an arsenal of controversial subjects through and throughout the story, opposite way in which Tieks strays from the lane from what is considered a fairy tale today. Ludwig Tieks tale has a theme to it, several factors that come back from the beginning to the end that paint the attend that Tiek was attempting to portray through his casings. In the end of the story th e nitty-gritty is finally brought to the forefront for the reader, punishing Eckbert for a deed that his wife committed and for his leeching of his wifes treasure.Tiek punishes Eckbert and his wife for their monotonous life style and Bertas betrayal. Yet the punisher (the old cleaning lady in black) is pushing Berta to betray her the on the whole m, as though all she precious was to see her fail. The same is received for Eckberts failures, the old woman, cackling, tells him that she was in fact Walther and Hugo. The both friends who Eckbert feels he needs to divulge his secrets as well in order to be closer. Hes met with the same result distributively time, to his terrified disgust.One reason why this poem is such a stellar role model of the romantic period is the way it portrays the ill-considered nature of the period itself. The attempt to in s shanty away a lesson that and punish the couple, whilst the entire time it seems as though they never had a choice, they were al most destined to fail. Hand in hand with the grandness of the intrinsic servetings to the narrative, it holds true to romanticism. Bertas journey through the approximate cliffs to the waterfall, we can see the descriptions changing to meet Bertas environment altering.Nature, the super congenital elements and the chimerical punishment of Berta and Eckbert make Tieks unspotted a romantic poem. Marx The Communist manifesto Dialectic Materialism a develop coined by Marx, and further progressed by other authors who study Marx and Hegel exclusively, is the idea that every economic scheme at its core is ground on principle determine that knock over it to its maximum efficiency while simultaneously fostering to create an debate orientment that volition overtake the old matchless when its flaws see to its demise. Marx axiom this occurrence as whole t atomic number 53s throughout history, which would eventually lead to communism.One dodging grows to its maximum efficiency , and then gives get to an opposing sy foot that takes the fundamental positives from the earlier systems and evolves with them incorporated. In the Manifesto Marx and Engels talk of the feudalistic system of Industry and its inability to get along with the changing world around it that it helped make. be replaced by the system of manufacturing is just an example of marks dialectal materialism, one system being shed by partnership to be replaced by a more efficient, logical one (page 66).A revolutionary in Marxs context doesnt come a positive or a negative connotation, simply a subject matter someone who does away with a old system. To Marx, the Bourgeoisie was a revolutionary assort for their role in abolishing the feudal system that precluded them the proletariat would be revolutionaries too, for their (intended) role in collapsing the capitalist worldly-minded night club. Marx and Engels saw the bourgeois as destroyers of the feudal era of natural superiority. (Page 6 8).Whereas before the Feudal serfdom was still in place, god given blood line rights granted the few privileged over the many, thanks to the revolutionary bourgeois that natural superiority was rupture d avouch , replaced by the unexampled system of cash honorarium, Where economic need and the hoarding of capital separated the few from the many. This new step or system can be characterized by a term general today, free trade. This bourgeois capitalism survives by winning personal value away for an exchange value, which Mark states as being for the purposes of exploitation.Through making personal price an exchange value the new fraternity has changed all major professions into simple affiance laborers (page 68). The middle class are in unbroken need to change and evolve the methods of issue and how production relates to conjunction. Capitalist society defends its rebranding of social values as a needed step to continue for contendd. Just as stated above nigh the act u pon of dialectal materialism, this capitalist society will follow the same ignore as the previous systems. The weakness that the bourgeois society bears is the same burden that helped them fall the feudal society (page 71).As well as the man of those that will see its end, and plagiarize their receive system, the proletariat. Through overproduction and an overabundance of industry, commerce, production, these forces no longer exist for the bettering of society, instead they hoist a select few onto their shoulders, creating those that turn in little and those that vex a lot. The affords and have nots. Creating the social dichotomy that will eventually lead to the collapse of bourgeoisie society. Baudelaire Baudelaire is a romantic in the most pure sense of the word.He saw the wave-particle duality in the world, the two forces at betting odds in his time. The rise of capitalistic values, lethargy pickings over, Baudelaire was highly critical of his society and the morals it wa s raising in the populace, specifically greed and the abandoning of art. Baudelaire believed that mankinds first state was creativity. He believed the good in wad was their minds, their creativity, the imagination, and its counterpart was boredom, sterility, a lack of purpose, the system and all its vices. Baudelaire turned the negatives into a transplant in which to convey his creativity.In the poem the old antic, Baudelaire paints a picture of an old cl make at a fair environ by joy and exuberance. The clown is seen by the narrator, through the crowd and described as such as if, in shame, he had exiled himself from all this splendor I saw this poor clown, bent over, frail, decrepit, a man ruined, leaning with his back a realisest one of the poles of his hut (Page 135). The manner in which Baudelaire describes the secures of the two opposing subjects leaves no room for debate. On one hand you have the old clown, absolute poverty, representing that which is drilld.A kind being who once served a purpose placed into the ceding back alone. While on the other hand, the fair goes on. Baudelaire chooses to even describe the fair using words in the genre of economic science profit, some were spending money, others earning it. (Page 135). The duality of the stain is questioned by the narrator after his brief, ambitious interpretation of the old clown. He states that he had just seen a man torn down by his poverty and the ungratefulness of the public. Baudelaire uses the old clown and the narrator as a symbol of capitalist modernity.You have the old clown to represent the honest-to-goodness generation who used to be a brilliant entertainer in his day, yet remaining aside to dwell in his own poverty when he was of no use anymore. Marx states in his essay the importance of price in capitalist society. Baudelaire here shows that when charge in the sense of capitalistic gain an option is no longer, those that cannot produce are cast aside. Even though they once served a role in their own society. The narrator can further press this simply by his actions regarding the old clown.He says to the reader, his intentions of go away money on the table to help the old man, but suddenly is move away by the crowd. This is no accident, specifically the wording, of being carried away by the crowd. Its Baudelaires way of show his sense of hearing that society is stripping away human values and emotions and replacing them with the monetary importance and short term happiness. Bel-Ami The film is set in Paris, a rich up and coming seemingly utopian city where to have some is to have it all. Bel-Ami or Georges Duroy is the son of a peasant, returning from war he settles in Paris inquiring for opportunity.The movie starts with Bel-Ami living in a dirty, grimy small apartment, the seedy underbody of the city, letting the viewer see the two sides of the coin. Bel-Amis first interactions with the bourgeoisies is his run in at a local prohibit with Charles Forestier, a former army fellow and bourgeois journalist, he extends an olive kickoff to Georges inviting him over for dinner. A key shooter in this early procession is when Charles gives Georges a few gold coins to buy new clothes with, Georges looks down at his new found treasure and uses a partial(p) amount on the purchase of a prostitute.Its here that a trend and theme of empty adulterous relationships stem from. The modern age in the story is depicted as empty of family values and emotions. Georges first empty sexual chance upon is the first of many he is to have. Forestier gives Georges a job at the base, chronicling his time as a soldier in Algeria as a foot soldier. Forestiers paper continues to show a causality of fetching down the regimen through showing the intentions to go to war with Algeria. Marx states the bourgeoisie society has torn away the sentimental obscure from the family. This statement reigns over the entire story of Bel-Ami.Marriages a re decided upon based on social and economic terms, whether or not the couple will be friendly enough. The viewer witnesses Bel-Amis true metabolism into the bourgeois when he goes to Forestiers deathbed, with the motive to marry his wife in mind. The articulate lack of human emotions is laid at the feet of the audience here when the wife accepts, with the image of her husband, dead by ten minutes, in the background. Then through anger at Walter, the proprietor of the newspaper, Georges uses his amorous lifestyle, the only thing he really knows and seduces his wife.Marx talks about the destruction of family values and in its place simple wage worth is go under into its place. This statement rears its ugly head when Walter confronts Georges for his subjugation of his wife and doesnt seem to sell he is fully focused on moving forward with the overthrow of the government. In the film, theres an ironic undertide regarding the newspapers intention to overthrow the French governme nt, the assemblage of pompous older men in a stuffy room are attempting to be revolutionaries and overthrow a government that embodies their own wants, nd ultimately their neutral is the same as the prior government, with their own economic interests at heart. Marxs system of the bourgeois revolutionary overthrow of the feudal system comes alive in the final moments of the film. Walters true intentions regarding Algeria, his plan to beset even after the overthrow, run duplicate to Marxs double edged panegyric for the bourgeois revolutionary ways. They overthrow one system to make room for one of equal if not worse intention. coin and power are the corrupting components, taking over Georges integrity.